Because You’re Worth It! – Pricing your Self-Published Book

Why self-publishing authors should not sell themselves too cheap

My qualification for writing this is I have done it wrong in the past, and now I think I do it more or less right. I’m definitely coming at this from the school of hard knocks. My very first book was a short story for children, and I tried to keep it as cheap as possible, cutting the page length by cramming the words up and chucking out the pictures, I used the thinnest paper too, and gave myself almost no profit margin. I still have copies of that terrible book and I use it to warn others. Like the ancient mariner at the wedding, I stop one in three. I hope you are the third.

How much should I sell my self-published book for?

So you’ve written a book. It may be a novel, a collection of poems or short stories, a children’s chapter book or picture book, or perhaps it is non-fiction, a carefully researched historical work perhaps. Regardless of the subject you want to get it published and ‘out there’ for people to read. Sure you’d like to make money too, but you know that unknown authors rarely make much and right now you just want people to read your book and tell you what they think. Well, as long as they think it’s good, right? So you figure the best thing to do is make your book as cheap as you possibly can, right? WRONG!

Price your book at the right price.

No matter whether your book is self-published or the product of a big-name publisher there is a right price for it, and that price is never the cheapest you can possibly make it. But I’m not just going to pontificate; I am going to explain exactly why using logic and reasoning.

Price is NOT the only purchasing criteria

A potential reader must make an investment of TIME to read your book. They must provide space on their shelf for the physical product too. If they don’t want to READ your book, then even making it free won’t induce them to take a copy. If you don’t believe me, try standing on a busy street conrer handing out copies of your book for nothing and see how many people walk past. Some will even take it and then leave it on a bench somewhere or stick it in the bin when they realise it’s not their kind of thing.

The process of a customer buying a physical book goes in four stages

  1. Look at the cover. If they like that then;
  2. They pick up the book and turn it over to read the blurb. If – then etc.;
  3. They may read the first paragraph or so. If at that point they are still interested;
  4. They will get their money out and pay ANY AMOUNT … within reason.

Whether your book is £1 £5 £8 £10 or even more, if they
WANT TO READ it, they WILL BUY it. —

Don’t make your self-published book too cheap

There are several reasons why you should not price your book too cheaply:

As an unknown author your first customers will be people who know you.

I was going to say your first customers will be friends and family, but I have tried to say this to authors before now and they say, “My family never support me in anything I do” or, “Hah! My friends told me where I could stick my book!” The fact remains that your first sales will, inevitably, be to people who ‘already know you exist‘. You will discover people you scarcely know, social media friends, or an old school mate, who will support you to the hilt, and others who you thought were good mates who just say, “I don’t really read much, but I’ll share your link if it helps.” Either way, your first foray into the quaggy mire of book marketing will be to people who would buy your book at almost any price. So if you pitch your 70k paperback novel at them for a fiver they will buy it and think they are helping you out; but they will buy it just as readily at £8 or even £10 so why sell yourself short to the only people who care? (The same rules apply in Dollars, Euros, or Yen, and it’s the same for e-books too, but different numbers.)

Nobody will buy your book at ANY price, not even free, if they don’t know it exists.

Once you have exhausted your immediate circle of friends you discover the painful truth that you are not David Walliams, or Stephen King, and your books will not sell simply because of your name. More to the point, they will not seek out your book eagerly, anticipating the next great work from the pen of… who are you again? I’m not saying this from any smug superior position, this is literally the painful lesson I had to learn. The only way you stand a remote chance of getting your book read is for a potential reader to see it. And the only way that will happen (often enough to be useful) is if you pay someone else to tell people about it.

I am of course referring to advertising. And if you are going to pay for advertising, then you sure as heck need to make a profit when you sell a book. Unless this is just a hobby and either you or your rich dad/mum/aunt/boyfriend/girlfriend whatever, is going to pay for it.

When you run a promotion, where do you go from rock bottom?

Whether we are talking about a physical product, i.e. a paperback, or a digital product, i.e. e-book, the same rule applies. If you are not making any profit to start with, then you have nowhere to go when you want to give people a special incentive to buy.  

Big retailers know this. They know you want a bargain in the sales, so they often overprice things for a few months before offering a big 50% discount and selling it for the price they actually need to make a profit. You could call them cynical, but the customer is a part of this game too. If the shop starts with the correct price and you still wait for the sales, then they have no room to discount and could be left with unsold stock.  

So give yourself a decent margin from the start, and only offer a discount when you are running a special promotion. You will still have to pay to advertise that promotion, otherwise nobody will know. (see point above).

Your price sends a message about how you value your product.

If you price your e-book at 99p, or worse FREE, then you are telling the customer that is all you think your work is worth. Why not add something in the blurb as well? “This book isn’t much good, but it’s free…” No?

Maybe I am being too harsh, I have books priced at 99p, but that’s because they are short, and I actualy do think that’s what they are worth. My novels are all £3.99 ($4.99) and they are worth every penny.

Don’t overprice your self-published book either.

It is just almost as bad to overprice your book. Of course, you may still make the odd sale and if you do you made more profit.

But an exorbitant price will put off all but the most determined buyers, and you do want people to buy your book.

So how do I know what’s the right price?

OK, I can almost hear you screaming, “But you haven’t TOLD me how much my book should be yet!”

Well, this is where we get into linear dimensions of string territory, but there are some fundamentals that are going to affect your choice.

Let’s talk about paperbacks first, because they have an intrinsic cost to produce, unlike e-books. If you are using print on demand, there will be a minimum price you can sell your books for to cover the print costs and the platform’s cut. So clearly you need to add on some profit for you. With a print run the cost per book is cheaper, but you also have to consider capital outlay and possible postage costs. I need to sell my books for at least three times the print cost to justify printing at all.

You also want to avoid going overboard and asking silly money for your book. So a good start is to check the prices of similar books from big publishers, however, be careful to compare like-for-like.

You are not in competition with mass market pulp fiction!

Those racks of books that sell for £3.99 are not the same as yours. They are probably not as good as yours, and I’m not just being nice. They are written to a formula. Readers buy them because they devour books of that type and they know what they are getting. They are the MacDonald’s of the book world. Your book is more like a home prepared meal for a posh dinner party. You’ve put LOVE into it.

If we are talking about novels, then there is a rule-of-thumb which I have found stands me in good stead. Short novels (50k-70k) £7.99 – Longer novels (70k-90k) £8.99 – and epic tomes (90k+) £9.99 (or a tenner perhaps on Amazon, so the buyer gets free postage?) Yes, you can go higher still. I would reckon up to £11.99 might be the ceiling for fiction.

Shorter books can be less, but rarely less than £4.99  If you really think your paperback book is worth less than a fiver, then consider lengthening it or adding pictures. It costs £2 to post a small book (large letter 1st class, inland UK) and £3 for one of 320 pages or more. (small parcel 2nd class).

Non-fiction is a little more difficult to price and so you will need to do more research into similar books. One thing that is definitely the case is that non-fiction can be priced a LOT higher if the content justifies it. I have far less experience of non-fiction so you will need to do some more research but as a bare minimum, make sure you are making a healthy profit from selling your book at the regular price.

What About my E-book Price?

Your e-book price can be whatever you want, with the same rules as discussed applying. I tend to pitch all mine at 50% of the paperback price. If you are selling exclusively on Amazon and want the 70% royalty rate then you can’t go below $2.99 or above $9.99 so your options are limited there.

Whatever you decide, I wish you luck. Writing the book was the easy part.

Mrs Slocombe’s Bull at a gate Cookery Book

New Cookery Book by Tracey Slocombe (AKA Mrs Slocombe) from North Devon

Front cover of Mrs Slocombe's Bull at a Gate Cookery Book

Blue Poppy Publishing are immensely excited to be about to launch* “Mrs Slocombe’s Bull at a Gate Cookery Book on the good people of Devon and beyond. This is definitely not your run-of-the-mill cookery book. While there are plenty of great recipes for a wide range of dishes straight from Mrs Slocombe’s own personal repertoire, it also includes humorous stories of her misadventures in search of good food and convivial company. So if you like a full belly, and plenty of belly laughs then this is the book for you.

* At time of writing the book is due in a couple of weeks.

Serious Recipes – With a Fun Accompaniment

Mrs Slocombe’s Bull at a Gate Cookery Book is packed full of great tried and trusted recipes accompanied by mouth-watering photographs of the finished dish, so you know what it was supposed to look like. And then, interspersed with the serious stuff there are the funny stories, such as how Tracey Slocombe came to produce her famous chilli beef, or her lengthy recipe for rice pudding (the hard way!). Tracey’s style includes plenty of humour even within the recipes as she just can’t resist a double entendre if one presents itself.

Famous Guest Recipes

Simon Dawson

Tracey has called on one or two of her friends to make a small contribution to her Bull at a Gate Cookery Book.

  • Simon Dawson; smallholder, radio presenter and published author, has contributed his recipe for Beer Bread.
  • Oliver Tooley; former radio presenter, author and publisher, has contributed a tongue-in-cheek recipe for drunken cooking. (We don’t recommend you actually follow that recipe).
  • Julie Kingdom; has provided the recipe for her fruit cake, which was always a favourite of her husband, the late great Johnny Kingdom.
  • Julian Seager; the TV and film actor known for such things as Fisherman’s Friends, Poldark, Doc Martin, and Viking Legacy doesn’t have much time for cooking, but Tracey does create an easy Viking mead for him.

Gingerbread Montys

Mr Slocombe, as Tracey Slocombe’s other half has become known by default was involved with the All New Monty on ITV this year 2019, along with celebrities like comedian Joe Pasquale, and snooker ace Willie Thorne. In honour of the appearance, Mrs Slocombe cooked up a special batch of gingerbread. The book includes the recipe and takes a moment to extol the virtues of regular check ups for such things as prostate cancer.

North Devon Inspired Recipes

Ilfracombe Slammer

Included in Mrs Slocombe’s Bull at a Gate Cookery Book are several recipes which take a touch of inspiration for the Devon countryside that Tracey calls home. There are a couple of tasty cocktails, the “River Taw” and the “Ilfracombe Slammer”, the South Molten pudding, Milton Damerel Pork Pie, and Hartland Tiddy/Teddy/Toddy Pastries. There’s also Beef Torrington, which is inspired by the Torrington Cavaliers.

Speaking of Charity…

As well as the Beef Torrington there is a brilliant recipe, inspired by K9 Focus, called “Lickin’ Lips Liver Cake”.
This one is strictly intended for the beloved pooch or pussy in your life.

Where Can I Buy Mrs Slocombe’s Bull at a Gate Cookery Book?

You can buy this book from any bookshop anywhere in the UK. (Even if they don’t have it in stock they can order it. All Blue Poppy Publishing books are distributed via the standard book ordering system used by all book retailers and libraries.) There’s a list of bookshops in Devon in this blog post.

You can also order it direct from this website or in person from Tracey Slocombe, and there will be a long list of other outlets stocking it that I will try to post up for you at a later date. Before you buy it online, have a think about where you want the profit to go. If you buy it from us, we get the most profit which is nice for us, but if you want to support local business feel free to get it in your local bookshop. Use it or lose it, as the saying goes. Alternatively, if you are good friends with Tracey she will probably sign it for you, and she has worked like crazy on this book and she deserves to make something back from it.

Janet Few Blog Post on Autism and Passive Demand Avoidance

Janet Few, author of our bestselling “Barefoot on the Cobbles” writes and talks on history and genealogy travelling all over the world even as far as New Zealand. However, in this very personal blog post she covers a different subject, that of her grandson (with his parent’s permission) and his Autism and Passive Demand Avoidance, and the difficulties that can cause when interacting with members of the public who don’t understand the condition.

You can read it here.

Barefoot on the Cobbles by Janet Few earns Chill With A Book Award

Janet Few’s brilliant historical novel set in Clovelly and surrounding areas at the turn of the 19th century and through the First World War has been going from strength to strength since it’s launch in November of last year.

Now it has been given a Chill With A Book – reader’s award as well as gaining several four and five star reviews on major websites.

Blue Poppy Publishing wish to congratulate Janet on her well deserved award.

http://www.chillwithabook.com/2019/01/barefoot-on-cobbles-by-janet-few.html

Autistic spectrum who’s the weird one?

Autism is not intrinsically a disability, but the way society is organised makes it so. Downloadable poster to help people understand this.

Just a very quick post inspired by an item I saw on Facebook and shared because I agreed with the sentiment.

The original post was made by http://autisticnotweird.com/ who of course I give full credit to for putting my own thoughts into good words.

One of my characters, Maarten, who appears in “Time Tunnel to West Leighton” and “Time Tunnel to Ironbridge” is autistic.

I have created a hi-resolution image because someone I know wanted to make a poster for their classroom, and I’m sharing it below because I couldn’t get it to go through on Facebook uncompressed. The format is A3 300 dpi so should be easy to convert to PDF for printers.

I (Oliver Tooley) am autistic although I was never diagnosed. Two of my children are diagnosed and they get help to cope with society as it currently operates. Yet, as the words in this image imply, it’s all those neurotypical people who are weird, not us.

I think it’s fair to say this is partly tongue in cheek, but there is a serious note backing it up.  

You need to click on the image to open it up full size, then right click to save.

 

It says,

“I’m autistic, which means everyone around me has a disorder which makes them say things they don’t mean, not care about structure, fail to hyperfocus on singular important topics, have unreliable memories, drop weird hints, and stare creepily into my eyeballs.

So why do people treat me as the weird one?

Because there are more of them than people like me.”

 

Ilfracombe library Book Giveaway event

Friday the 15th of December
3:30pm – 6:00pm at Ilfracombe Library

Every child (age 0-16) with a valid Devon Library card, who comes to the library in Ilfracombe on Friday 15th December, between 3:30 and 6:00 pm will receive a FREE copy of “Dr Gnaw” the latest Felix Whiter book, and sequel to “For Cats’ Eyes Only”

This event is once again made possible by Ilfracombe’s very own David Tubby. Olli will be there with the illustrator Amii James to sign books. David Tubby won’t be able to make it but he has arranged for none other than Father Christmas himself to be there in his place.

make sure you have a valid library card

Check your card is up to date, or if you don’t have one, head on down to the library and get one. You don’t have to register at Ilfracombe, as long as you have a Devon Libraries card, and are 0-16 years of age, and you come into Ilfracombe Library at the time stated above, you will get your book.

See you there.

My unfinished NaNoWriMo story

I stopped writing my NaNoWriMo at 17,796 words on day 8

I only started it for a giggle, I was well on target, but the story just didn’t have the legs for 50,ooo words, in my humble opinion.

Actually, perhaps with time or sufficient motivation I could have done it, but I really do have better things to do.

Anyway, I thought I may as well offer up my efforts so you can have a giggle, at my unpolished pantsing.

Chapter 1
John

‘Don’t look back,’ John thought, ‘just keep running’. He crossed the street and a cab screeched to a halt, the driver waving a fist. John looked back. They were gaining. Crowds; crowds were useful, he was small, with a low centre of gravity. He could twist and turn, disappear into crowds, invisible among tall people in heavy cloaks. A marketplace would be great; redolent of spices from the farthest corners of the empire, or a port! Ports were a good place to lose oneself among travellers. There was the entrance to the underground up ahead. People were entering and leaving in large numbers. He focussed his thoughts on reaching the safety of the crowd and put on an extra spurt. A gust of warm stale air rushed up the stairs as he dived among the harried commuters.

“Hey, watch where you’re goin’ asshole!”

A woman crossed his path dragging a bright red case on wheels. He hurdled it like he was a youth, jumping a bonfire. ‘The onlookers roared with approval as John the minstrel leapt the flames to purify his soul…’ his thoughts were interrupted by a man carrying two bags of groceries clasped to his chest between outstretched arms. There was no way to avoid a collision. He was a big man, the look in his eyes spelled murder, but somehow, despite the speed of the collision, nothing was spilled. John cradled the bags as though he was the saviour and not the cause of the whirlwind of chaos that had briefly engulfed the big man. Smiling cheekily, he said, “My lord, you dance divinely, but I must not tarry, I bid you good-day sir.”

And then after a brief involuntary tango, the two men parted, no better acquainted than when they had met, and John sprinted down into the cavernous dungeon where metal serpents roared through tunnels, spewing sparks. The barriers ahead were no obstacle. He slid under them. Timing was everything. He chanced another glance back, he couldn’t see them, but they would surely follow. Another sprint took him onto the train, and then moving along the carriage, between surly teenagers and elderly couples. A man with a bushy red beard, and amateurish tattoos, looked like he might be a Pictish warrior, although the MP3 player and the little earbuds suggested otherwise.

‘Come on doors. CLOSE!’

The background music was fast and intense in his mind, snare drums featured heavily in the mix, power chords, and… was that mandolin? The rhythm was intensifying, it was keeping time with his heartbeat, which was already too fast, but seemed to be getting fasterer. And there they were, sprinting towards the train where he was either a rat in a trap, or safe and sound. It all depended on the doors closing. ‘NOW!’

There were three of them. Warriors of the Eastern steppes, in leather and high boots, he couldn’t see weapons, but of course, they would be sheathed until combat, the blade sharp enough to cut through chain mail. The doors closed; the barbarians were defeated. The serpent moved forwards, slowly at first, then gaining speed, it roared into the labyrinthine tunnels towards the next valley. He fingered the item in his pocket. It seemed alien, a palm sized rectangle of smooth black obsidian. He touched a raised area on the side and the obsidian surface lit up. He slid his finger across the smooth stone and revealed the news that he had no internet connection. John put the phone back in his pocket and tried to focus on what was real and what was not.

The subway train slowed, and John stepped out onto the platform. In his haste, he had gone in the wrong direction. It didn’t matter, he had nowhere special he needed to be. The barriers were attended though. That was awkward, he would need a diversion. He looked around. The platform was deserted. His heart was beating faster again. He could feel it, bursting from his chest.

‘Run into him. The shock will give you time to escape. There’s nobody else around,’ the internal monologue said.

John shook his head. He had already spent most of the day running away from those other guys. He didn’t need to kick their horses, err, bikes. He didn’t need to call them hairy barbarian scum. But he had done it anyway. There was a rushing noise like another train coming into the station. But there was no train, no serpent, no magical sparks, and there was the royal guard, waiting at the gates to the city. He was an outsider, an interloper, outlawed. There was a price on his head, the King himself would surely oversee the torture, unless he could get past un-noticed.

He ran, only he wasn’t running, he was moving as though through treacle, the rushing noise was deafening now. Another metal serpent curved into the station spitting fire, but the sound was drowned out by the waterfall, the roaring screaming noise of water, falling and slowing him down, and then, there was nothing.


It only takes ONE comment from a reader who wants to read chapter 2, and I will post it up for you.

I gave up on NaNoWriMo

In case anyone is wondering first of all what it is, here’s a link https://nanowrimo.org/

If you don’t want to follow the link, NaNoWriMo is short for National Novel Writing Month, and it is now an international event every November when writers take on the challenge of finishing a 50k + word novel in 30 days.

Pros and Cons

First off, I should say that I wasn’t really that fussed about doing it in the first place, but I fancied having a go after deriding the whole idea.

Actually, I seriously don’t know what I feel about this idea. In one way, I can see it is a great way to focus writers’ minds on a deadline, and getting them all to work together and encourage each other; but in another way, I don’t think great novels are written in a month. I’d go so far as to suggest that NO worthwhile novel was EVER written in a month.

Now, I can almost hear you screaming, “But that’s not the point!” 

A lot of writers will have plotted aspects of their novel in the months leading up to NaNoWriMo, and anyone who has written anything they want to publish will no doubt put their manuscript through a full editing process before it reaches the market.

Another thing I don’t much like is the constant badgering you to contribute to their “non-profit”. What exactly does my money go to?

Well, it goes towards running the site, and funding educational programs, but at this stage in my writing career, I am the one who needs funding. I think a lot of us probably feel that way too.

OK, so fair enough, nobody forces you to donate, and they do good work with it, but it was a bit incessant; a bit “American”, if I am honest. Anyway, that’s not why I stopped.

Here’s why I stopped.

I decided to be a total purist. I had no need or reason to do NaNoWriMo apart from the curiosity to see if I could write a 50,ooo word novel in a month. So there was no point in using an idea that I was already working on.

I set out with nothing more than a few suggestions from Facebook friends on November the 1st, and I ‘pantsed’* it the whole way.

*New word; “pantsed” verb “to pants” – from the noun “pantser” one who writes by the seat of their pants; as opposed to a “plotter” one who plots the story beforehand.

I got as as far as 17,796 words in the first 8 days when I decided that there was simply not enough meat in the idea for 50,ooo words.

Since it did not matter to me, I stopped. Simple as that.

The Story.

It was a fairly daft idea, but maybe fun.

Possibly someone might enjoy it, or possibly someone might even want to take it over and make it work. I don’t care. I have too many book ideas, and nothing like enough time.

I am going to post it up on the blog, and even if just one person wants to read it, they can.

For Cats’ Eyes Only Author Visit Read and Craft session

The launch of “For Cats’ Eyes Only draws ever nearer and for any libraries in Devon, or beyond for that matter, who would like an author visit, here’s what to expect.

  • Ideal for kids aged 6 – 10 years but with a bit of leeway either side.
  • Suggested max 30 children per session.
  • Olli will talk briefly about how the book came about and answer any questions.
  • Reading passages from the story which is packed with terrible puns, with a fair bit of silliness, and a smattering of fart humour.
  • Everyone (who wants to) gets to make their own personalised secret agent I.D. card which can be disguised as a credit card.
The craft activity

Step 1 : Take pre-printed template.

Step 2 : Fold along the vertical divide

Step 3 : Glue the inside and stick firmly down

Step 4 : You now have the credit card on one side and ID card on the other

Step 5 : Fold in half again, with the credit card facing outside
Do not glue this time. Write your name on the front of the card, and sign the back.

Step 6 : Add your thumb or fingerprint to the ID card. You can stick a passport photograph of yourself, or a picture of an animal in the photo space

Step 7 : For the finishing touch, stick the special holographic sticker on the card, to give it an authentic look.

For a poster to promote this activity right click and “save as”

PDF file (716kb not easily edited) 

Word 2016 DOCX (960kb editable file)

JPG file (5mb editable image)

 

Olli Tooley Author visits

Just a quick blog post to list the dates booked so far for my author visits this summer.

Saturday 15th July 10:00 – 15:00 is the official launch of the Summer Reading Challenge and I will be at Barnstaple library North Devon for that, although I won’t be selling For Cats’ Eyes Only because it is being launched at Ilfracombe library’s event.

Wed 19th July 15:30 – 18:00 is the launch of the Summer Reading Challenge at Ilfracombe Library. I will be there with copies of “For Cats’ Eyes Only” to give to all children who sign up for the challenge. Amii James will be there too, doing a related art/craft activity as well as face painting, balloon animals, and more.

For Cats’ Eyes Only reading and craft session
  • Mon, 24 July 10:30–12:00 Tavistock Library, The Quay, Plymouth Rd, Tavistock PL19 8AB
  • Tue, 25 July 10:30 – 12:00 Ilfracombe Library, The Candar, Ilfracombe EX34 9DS
  • Fri, 28 July 10:30 – 12:00 Dawlish Library, 1 Lawn Hill, Dawlish EX7 9PY
  • Fri, 28 July 14:30 – 16:00 Newton Abbot library, Passmore Edwards centre, Market St, Newton Abbot TQ12 2RJ
  • Tue, 1 August 10:30-12:00 Crediton Library, Belle Parade, Crediton
  • Tue, 1 August 14:30-16:00 Lynton Library, 17 Queen St. Lynton EX35 6AA

Week commencing 7th August, I have to visit beautiful Suffolk. Never one to waste an opportunity…

  • Sat, 12 August 11:00-14:00 Chantry Library Summer Fair T.B.C.
  • Tue, 8 August 14:00-15:30 Gainsborough library, Clapgate Ln. IP3 0RL
  • Wed, 9 August 10:30-12:00 Hadleigh library, 29 High St, IP7 5AG
  • Thu, 10 August 10:30-12:00 Haverhill library Camps Road, CB9 8HB
  • Thu, 10 August 14:00-15:30 Glemsford library, Tye Green, CO10 7RH
  • Fri, 11 August 14:00-15:30 Ipswich County Library, Northgate Street, IP1 3DE

And then back to Devon…

  • Mon, 14 August 10:30 – 12:00 Barnstaple library, Castle Walk, Barnstaple
  • Wed, 16 August 10:30 – 12:00 Combe Martin library
  • Wed, 16 August 14:00 – 15:00 Okehampton Library, 4 North St, Okehampton EX20 1AR
Finishers’ events

I’m thrilled to be able to add, that I am at two finishers’ events.

  • Sat 16 September 10:30-12:00 Ilfracombe Library finishers event
  • Sat 16 September 14:00-15:30 Braunton Library finishers event